Mohd Ariffin Wok: Preserving Traditional Silversmithing Across Five Decades

By Habsah Ismail

TUMPAT, March 16 (Bernama) -- The rhythmic clang of metal in a modest workshop in Kampung Morak stands as a testament to the dedication of Mohd Ariffin Wok, 76, who has faithfully practised traditional silversmithing for over 50 years.

Despite a birth defect in his left leg, Mohd Ariffin, affectionately known as ‘Pokwi’, continues to craft exquisite silver items with high cultural and heritage value, including maces, silver keris, tepak sireh (betel nut container), and various ornate decorations.

Born on Nov 16, 1949, the Kampung Morak native began his silversmithing journey in 1969 as a teenager, honing his craft over decades to become a master of the art.

“Although I am a person with a disability (PwD), I have been doing this work for more than 50 years. In the 1970s, silverware was very popular and many craftsmen were involved in this field, but now it is decreasing,” he told Bernama.

Mohd Ariffin employs traditional techniques such as sand chiselling, flower chiselling, piercing, and spinning to create intricate floral motifs, like hibiscus, ketumbit, and bunga tanjung, combined with the unique design of a single larat cloud pattern.

 His expertise has earned him recognition, including the Master Craftsman title from Kraftangan Malaysia in 2024 and the Sanggar Mestika Award from the Malaysian Craft Council in 2020.

He notes that most contemporary silversmiths focus on rings, while the skills required for traditional silver items like brooches and ceremonial tools are becoming increasingly rare due to their precision demands.

A single silver keris, for instance, requires about 500 grammes of silver and carefully selected wood for certain parts, processed through traditional melting, thinning, and carving techniques.

“The work requires high precision, especially during carving and gold-chrome finishing to enhance the silver’s shine. Sometimes, completing just one part takes an entire day. A mistake means starting over,” he explains, adding that his vision has been affected by age and a stroke suffered last year.

Despite rising challenges, including a dramatic increase in silver prices from around RM3,000 per kilogramme to RM14,000–RM15,000, Mohd Ariffin continues his craft.

His works remain highly sought after by prominent individuals and royal institutions.

“Throughout my career, I have received orders from Istana Negara to produce glass lids, liners, traditional rice containers, and special tiered bowls,” he shares with pride.

Determined to ensure this heritage art does not fade, Mohd Ariffin is now assisted by two workers, including his son-in-law, Adnan Ismail, 56.

He hopes Adnan will inherit his knowledge and skills, ensuring traditional silversmithing continues to thrive for future generations.

-- BERNAMA